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REALLUSION ICLONE PRO V7.2.1220.1 RESOURCE PACK [Crackzsoft] CrackYorgos Lanthimos’ “The Lobster” Is a Sour Sitcom, But It’s Wildly Entertaining
Over the last couple of years, there’s been a minor weirdness that’s developed in the major studio comedy. The movie-length treatment of the humble stand-up set is a genre whose tropes have been loosely borrowed from the likes of “30 Rock,” and there’s something relatively comfortable about that. But the auteurist comedy has been in “The Office” and “The Hangover” territory for a long time, and there’s something decidedly less comforting about a movie like “The Angry Birds Movie,” and the race to follow it with comic acting vehicles based on anime and video games. So this year, when the major studios began to get behind a sardonic, macabre comedy about a man who is arrested for living in the wrong town and is forced to live out the rest of his life alone under constant surveillance, it was like a gift from above: a movie that strays from the comfortable conventions of the movie-comedy genre while fully embracing its innuendo.
“[Director Yorgos] Lanthimos’ idea is to make the film with a group of actors who don’t really talk much and can deliver a performance of a moment in time and leave it at that,” explained Frances McDormand, who plays the main character’s wife in the movie, in an interview with Yahoo Movies.
But it’s a game-changer. The lesson of “Lanthimos” — the pun is in the title — is that if you want to bring a certain dark humor to your movie, it’s better to be sincere about it. That means that the film’s satirization of country life is not affected by the characters’ disgust at their surroundings. It’s based on the characters’ real feelings — a point that’s emphasized by Lanthimos directly at the film’s end when two of the characters are reunited, one of them quickly discovering that he no longer has the ability to so easily dismiss what he found offensive the first time around.
This philosophy was best encapsulated by the film’s response to an uproar over jokes that some audiences took
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